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https://nicovideo-jp.com/watch/1041?utm_source=themedia.jp
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- rating - 385738 Vote
- genres - Thriller
- Gisaengchung is a movie starring Kang-ho Song, Sun-kyun Lee, and Yeo-jeong Jo. Greed and class discrimination threaten the newly formed symbiotic relationship between the wealthy Park family and the destitute Kim clan
- Bong Joon Ho
- year - 2019
Gisaengchung film. There is no shortage of films that depict the injustice of social inequality but originality is scarce. With a large proportion of its population below the poverty line, it is noteworthy that a filmmaker from South Korea has produced a work that has attracted almost universal acclaim. Parasite (2019)generates a great deal of conversation but be warned: it is not a film for everyone, especially those averse to gory endings.
If you step back from the story's twists and turns, the narrative premise is simple. A family of petty crooks living in abject poverty get lucky as, one by one, each tricks their way into being employed by the same heartlessly wealthy family in roles like tutor, driver, and housekeeper. The gullible family is easy to deceive, while the crooks manufacture various scenarios to their own advantage. The occupation of the luxurious home by the crooks adds a new meaning to the concept of home invasion. However, the plan comes un-stuck when they find a secret dungeon that leads to horrific consequences.
The film takes too much time in developing the central premise and various sub-plots, and more descriptive prose could be offered here about what actually happens. But that is not the point of the film. Director Joon-ho Bong paints an intricate portrait of the normalisation of poverty and class privilege, with both sets of family never questioning their place in South Korea's social order. This acceptance and its destructiveness of the human spirit makes change impossible and condemns Korean society to moral bankruptcy.
There is more to this film than political discourse. As a black comedy, it is sprinkled with funny although improbable moments and the filming style expresses the polemic in obvious ways. Juxtaposing the world occupied by a smelly cramped underclass with the opulent world of the rich is low-hanging fruit. One can also find elements of magical fantasy, as it requires an unequivocal suspension of disbelief to accept that a family of losers can so easily dupe a family of high achievers. The acting tends towards wooden, and it is difficult to warm to any particular character. The film's climax offers little other than an ambivalent balance between hope and nihilism, leaving viewers to decide which family are the parasites.
For many, the critical pendulum swings towards the 'masterpiece' label. But it is perhaps closer to reality to describe this as an original, engaging, and disturbing tale of endemic class tension, oppression, and helplessness. Although tenuous, the message has universal relevance.
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This movie, starting as a clever comedy turns into a deep drama in a modern context of social inequities. This movie undelines how social classes remain splitted in today's world (almost as spltited as in Gosford Park. It also questions how the poor working class have to struggle against itself to benefit from the little that can runoff from the rich ones.
Great actor playing and the right pace in the movie makes it a fantastic experience.
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Gisaengchung 2019 trailer. Gisaengchung interview. Gisaengchung / parasite trailer. Gisaengchung trailer hindi. Gisaengchung in korean. Last year we had Shoplifters which gave us a taste of how Japanese capitalism looks like, this year we have Parasite to show what South Korean upper class smugness looks like. Its a well deserved Palme D'or winner and potentially the first Korean film to taste Oscar glory this year.
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Parasite is the heart-breaking and mind-shattering story of a poor south Korean family slowly inserting themselves into the life of a much wealthier one, through schemes, intense plotting and brilliantly written twists.
Disguising itself, at first, as a comedy layered with social criticism, the film reveals itself to be a raw dramatic thriller verging on horror of great genius, with moments that will literally take your breath away.
Bong Joon-ho crafts a near-perfect movie, with top-notch careful directing, beautifully flawed and intense writing, heart-wrenching performances and emotionally charged visuals.
But in the end, Parasite" isn't a comedy, it isn't horror, it isn't a thriller and it isn't a drama, it is FILM and that's what is so painfully gorgeous about it.
9,8 / 10.
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